Six paid-media concepts built to send cold and warm traffic to cmpsportswear.com/2026-style-guide and convert them into a mockup request. Round 2 rebuilds every layout against your notes — campaign imagery from the email and homepage slider, a louder "the guide is live" announcement on all six, and a CTA that actually reads as a button. All shown at 1080×1080, the master square.
Three jobs across the funnel: stop the scroll (A, D), explain the offer (B, F), close the lead (E). C is the social/UGC play. Running one from each row beats running six of the same kind.
Rebuilt from your latest 1080 master — the 100% WRESTLING TEAMWEAR line, the wider VIEW THE STYLE GUIDE button straddling the panel's bottom rule, and the phone number in place of the URL path. Every size is laid out for its own shape rather than scaled from the square: the headline rebreaks, the panel re-proportions, and the CTA never drops below a readable size.
Every production concept ships as a real Photoshop file at 1080×1080 — not a flattened export. Same six groups in each, bottom to top.
| Group | What's in it |
|---|---|
| 00 · FLAT REFERENCE | The approved design, flattened and hidden — toggle it on to check any edit against the original |
| 01 · CANVAS | The background fill |
| 02 · PHOTO BEDS | Full-bleed imagery that sits under the overlays — the action photo, the guide cover, the page wall. Swap here. |
| 03 · ART PLATE | Every painted overlay with real transparency: gradients, teal slabs, rules, buttons, the vertical guide tile |
| 04 · PHOTOS | Cut-out imagery over the art — the athlete group, the logo. Swap here. |
| 05 · TYPE | Live editable text in Eurostile and DIN, one layer per line — retype any headline without redrawing anything |
Notes from comparing your shipped finals against my handoff, so the next size set arrives closer to done.
| What you changed | The rule going forward |
|---|---|
| Rewrote copy per shape — 1200×628 headline became "40+ WRESTLING STYLES." and the 100% line came out; 728×90 merged the kicker and qualifier onto one pipe-separated line; the three tightest units got "VIEW NOW" instead of the full CTA | Copy is a variable, not a constant. Author every line in two lengths up front. |
| Set 100% WRESTLING TEAMWEAR much larger and broke it to two lines | It's a headline tier at roughly 0.62× the headline — break it before scaling it. |
| Held the headline at one size across 1080×1080 and 1080×1350 | Extra canvas height buys white space, not point size. |
| Moved the logo right on 728×90 and 970×250 | On wide units the headline owns the left; logo and CTA share the right. |
| Dropped the white slab to small teal type at 970×250, gone below that | The kicker degrades in three states rather than just shrinking. |
| Removed the black bar behind the phone line | No chip on type that already sits in a vignetted zone — don't stack a scrim on a scrim. |
| Sized CTA boxes to their label, with a 1–2px offset shadow on the small units | Hug the text; add depth with an offset, not padding. |
| Cropped the wall to show a full athlete on 970×250 and lightened the overlay | A garment grid is texture; a person is interest. |
Zero Boring is complete — see the section above. The remaining concepts get cut to the same nine placements once you sign off on their masters. Layouts are authored per shape so the headline, logo and CTA reflow rather than shrink.
| Size | Where it runs | What changes |
|---|---|---|
| 1080 × 1080 | Meta feed, IG feed, Display square — the master | Zero Boring shipped |
| 1080 × 1350 | Meta / IG portrait — the biggest feed real estate | Taller panel, same type block |
| 1080 × 1920 | Stories, Reels, Shorts | Panel centred inside the Stories safe area |
| 1200 × 628 | Link ads, LinkedIn, email hero | Subhead rebreaks to two lines |
| 300 × 250 | Display workhorse | Subhead drops, logo + headline + CTA |
| 728 × 90 | Leaderboard | One line: logo, headline, CTA |
| 300 × 600 | Half-page skyscraper | Short subhead, stacked |
| 970 × 250 | Billboard | Logo left, headline centre, CTA right |
| 160 × 600 | Skyscraper | Headline breaks to four lines |